It will come as no surprise to longtime observers that Jarmusch is extremely attentive to the composition of each shot, often suggesting that a framing would be more beautiful if it captured this or that detail. He notes that the angle of Tom Hiddleston's reclining head "is like a Mantegna painting or something," and elsewhere suggests the actor reposition the oud he's holding, lest it look too much like he's displaying it for the camera.
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Travelling at Night With Jim Jarmusch Review
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