Look Who's Back Review Er ist wieder da Constantine Movie 2016

A curious item that’s an uncomfortable mix — only partly by design — of comedy, satire and a socio-political exploration of a still-festering wound from the recent past, this should interest niche distributors and broadcasters in Western Europe, though the film doesn’t dig deep enough nor generates sufficient belly laughs to become more than another Hitler-themed curiosity further afield. Dietrich Bruggemann’s recent festival hit Heil, while not as popular at home (but also not based on a runaway best-seller that sold over 2 million copies locally), was a more probing and funnier examination of similar material and might be better suited to fill that slot abroad.

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